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Jane's Pacific Islands Radio Newsletter
(Island Music) Vol. 3, Edition No.7, November 2005 http://www.pacificislandsradio.com/ I N T H I S I S S U E ____________________________ Objectives News and Views Notice Board Pacific Islands Radio Feature Artists Coming Events Suppliers Links Letters It's Time To Chat! T H E V I E W _____________________________________ Pacific Islands Radio (Island Music) News and Views Welcome everybody to our Pacific Islands Radio Newsletter (Island Music) for November 2005! It feels just great to be back in touch again and I would like to take this opportunity of wishing everybody good health, peace and harmony, prosperity and happiness. My heartfelt thanks go to our many valued members who have kindly taken the time to get in touch and for sharing their valued thoughts and ideas about the Pacific Islands, as well as our Pacific Island musicians and their music. In this respect, such relevant and important feedback is greatly appreciated. In particular, it is very pleasing to hear from some of our many talented Pacific Island artists. I never cease to be amazed at the level of creativity that is apparent and the many unique and cultural aspects of island life that have been preserved and presented in a modern musical idiom. There is certainly no doubt that there are so many exceptional Pacific Island artists, as well as future artists out there, whose rare and unique talents would be a welcome addition and boost to both our Pacific Islands Radio Playlists along with our monthly Newsletter. Thank you. I would also like to extend a very warm and sincere Pacific Island welcome to all our new members who have joined us since our last Newsletter. Welcome on board, please make yourselves feel at home, relax and enjoy the enchanting, vibrant, exciting, soothing, melodious and magical sounds of the Pacific Islands! May your association with us be enjoyable, mutually beneficial and rewarding! OBJECTIVES This Newsletter is a listening guide to the many listeners of our Internet Pacific Islands Radio Stations. http://www.pacificislandsradio.com/index.htm The information in this Newsletter will discuss issues relating to Pacific Island music. It will also embrace some of the exciting changes taking place in the Internet Radio Revolution, as well as updated information on our Pacific Island Artists, Programming and Playlists. NEWS AND VIEWS In the last edition of this newsletter, we examined in brief the traditional and contemporary music of Polynesia. I would like to now invite you to join me in taking an exciting journey through the traditional and contemporary music of Melanesia. In doing so, it is again my pleasure to firstly take a visit to the various musical forms of Papua New Guinea. With a rich tapestry of culture and art forms, Papua New Guinea is the oldest established region in the Melanesian archipelago, which stretches through the Solomon Islands, Vanuatu, and New Caledonia to Fiji. Indeed, it is by far the oldest and most diverse civilization in the entire Pacific region. Historically, the islands of Papua New Guinea were first inhabited some 50.000 years ago, and the traditional music that was developed remained substantially unchanged without any external influences, apart from contact between traditional partners and neighbouring groups until the influence of Christian missionaries in the 1870s. Indeed, the coming of the Christian Church to Papua New Guinea had far- reaching influences, in common with many other Pacific countries, on the lives of the Papua New Guinea people, their music, as well as their many other art forms. In Papua New Guinea, traditional musical instruments exhibit considerable diversity, not only in form but also in the uses to which they are put, in their social and ceremonial importance, and - perhaps most notably - in the meanings that may be attributed to their sounds. In each culture some instruments are likely to be nothing more than objects for personal amusement or even toys for children. These instruments include shell whistles, Jew's harps, musical bows, smaller varieties of bamboo flutes, including the nose-flute, and sometimes pan-pipes. More significantly, however, other instruments were endowed with symbolic value and religious impact. These instruments serve complex functions in the social and ceremonial lives of their owners. Some transmit messages; some are featured accompaniments for religious ceremonies, funerals, initiations, preparations for warfare, and similar ritual activities; some emit sounds that symbolize or are, perhaps. in themselves, believed to possess supernatural qualities and powers. The most prominent instruments, in this group, are drums, flutes, trumpets, pipes, gongs and bullroarers. For example, in Tangu, Madang District, almost every social event, is announced on the slit-gong. So much so, that understanding its messages is, in large measure, tantamount to understanding the Tangu way of life. A complex signalling system, in which every Tangu person, pig, and place has a distinctive call-sign, enables these people to transmit a full repertoire of precise announcements - a ritual feat is in the offering, someone's wife has died and so on. In the Eastern Highlands, flutes are paramount symbols of all that men hold dear: their dominant roles as males, solidarity and continuity of their descent groups, past glories and future prosperity. The symbolic nature of the instruments is underscored by linguistic usages equating them with birds and by extension, spirits. In keeping with their sacred character, flutes are blown only by men and only at specified times. Among the Gimi people of the Labogai region, the playing of flutes is a crucial feature of every initiation. Pig festivals are another occasion calling for the blowing of flutes. Although this sometimes takes place in broad daylight, women and children know that they must not look, or in any event must not be caught looking, when the " spirits " arrive. It is also worth mentioning that the many scattered tribal groupings in this ancient and vibrant civilisation developed their own musical instruments as well as the symbolism associated with these instruments. For example, groups living in the Sepik River area developed a form of chordophone which consists of a strand from the mid rib of a sago frond, elevated and tightened at each end by wedges or by a central support. Two notes of different pitch may be sounded, one on each side of the bridge. The arrival of Christian missionaries in the 1870s started an influx of external influences on the traditional music of Papua New Guinea and, in itself, resulted in the introduction of Western church hymns to Papua New Guinea, along with a secular Polynesian song form, introduced by Polynesian missionaries Mission schooling was established in the late 1800s to early 1900s, and western school songs were taught in English. The beginning of the Gold Rush resulted in the introduction of mouth organ by Australian gold miners. The metal jaw's harp used in trading with the Papua New Guinea people replaced the indigenous bamboo version in some areas. During World War II, 1942-1945, songs about the war and conditions during those years were composed in Papua New Guinea languages. Papua New Guineans also learned songs from soldiers, including the Japanese. Servicemen from Hawaii and the Philippines introduced guitars - a Western instrument that was to have a marked effect on the future direction of Papua New Guinea music. By 1950 the Australian Broadcasting Commission began sending officers to villages in Papua New Guinea, to record village music. These recordings were broadcast on the ABC "Native People's Session". In the 1950s traditional songs were adapted for school choirs who began to sing both hymns and traditional songs. It was 1975 that saw the beginning of the Papua New Guinea recording industry which is still vibrant and growing today. Indeed, it has been this industry that has produced artists such as Oshen and George Telek, who have been able to achieve world wide success by presenting and blending the traditional instruments and mythology of the music of Papua New Guinea, with modern western concepts of popular and commercially successful musical styles. * * * * * * * * * * Finally, our very sincere congratulations and best wishes go to the exceptionally talented 17-year-old artist, Vanessa Quai, from Vanuatu, on her great achievement in winning First Prize in the RTV Golden Stag International Music Festival for Pop Music, in Brosnov, Romania, on the 23rd September 2005! Vanessa Quai performed live before an audience of over 20,000! You are welcome to view a beautiful photograph of Vanessa Quai's live performance at the following URLs: http://www.pacificislandsradio.com/index.htm http://www.pacificislandsradio.com/profiles/vanessa_quai/index.htm http://www.pacificislandsradio.com/profiles/vanessa_quai/pictures.htm NOTICE BOARD MELANESIAN MUSIC Pacific Islands Radio is very pleased to be able to advise that Pacific Islands Radio 28K is now in the process of being converted to a dedicated Melanesian Music Radio Station, to feature exclusively the vibrant and exciting music of Melanesia. Precise details will be available in our December edition of this Newsletter. VANUATU MUSIC FEST 2005 John Cvetko ++ (678) 22515 David Ellis (02) 9580 3406 Vanuatu's tenth annual Fest'Napuan is expected to draw 30,000 visitors to capital Port Vila for four days of free, non-stop music from October 13 to 16, 2005. The biggest musical event of its kind in the South West Pacific, Fest'Napuan (it means Festival of Song and Dance) will feature local string bands, traditional, custom, contemporary and modern music, and on the final Sunday a Christian music 'Festival of Praise.' As well as individuals and bands from many of Vanuatu's 80 scattered islands, there will be indigenous groups and soloists from Australia and Papua New Guinea, and from several other South Pacific countries that have shown interest in taking part. In the past, musicians have come from as far afield as West Papua, the Solomon Islands, Papua New Guinea, Easter Island, Fiji, New Caledonia and Australia and New Zealand. The Festival aims to promote the development of contemporary music in Vanuatu by young people in music groups, offering them the chance to perform before large audiences and to expose their talents to potential government and private sponsors. It also provides local people and visitors from across the South Pacific with the chance to see this emerging talent at no cost. For details email info@furtherarts.org or vks@vanuatu.com.vu OCEANIA MESSAGE FORUMS I am very pleased to be able to say that, in addition to our main Oceania Guest Book, additional Bravenet Forums are progressively being introduced to all Web sites of the main islands and islets of the Pacific as well as personalities, along with our Pacific Islands Radio Web sites: http://pub47.bravenet.com/forum/4004922603 As you are no doubt aware, these Forums have been most beneficial in bringing together many people with an interest in and a love of the beautiful and enchanting music of the Pacific Islands. You are cordially invited to share your valuable and important thoughts and opinions with us all. Recent additions also include the Web sites for Hawaii, Tahiti, Samoa, Republic of Nauru, Republic of the Marshall Islands, Tonga, Tokelau, Easter Island, New Caledonia, Vanuatu, Fiji, Papua New Guinea, Cook Islands and Pitcairn Island, as well as our Oceania Postcards and Picture Galleries - and many more! Thank you. PACIFIC ISLANDS RADIO Pacific Islands Radio is pleased to be able to advise that a forthcoming upgrade will allow a considerable expansion to the Playlist(s) which will include the traditional music of Irian Jaya (West Papua), along with an Anthology of the traditional and beautiful music of Papua New Guinea. In this respect, Pacific Islands Radio is very pleased to be able to advise that Pacific Islands Radio 28K is now in the process of being converted to a dedicated Melanesian Music Radio Station, to feature exclusively the vibrant and exciting music of Melanesia. Precise details will be available in our December edition of this Newsletter. (See our NOTICE BOARD above!) I would also like to mention, in response to some of the e-mails and messages that I have received, from those wonderful people who would like to listen to our beautiful Pacific Island music but are unable to actually listen to the music. Once you have accessed the page, it is necessary to firstly log on in order to be able to listen to the music. The process of being able to log on can be achieved by providing your username and password before clicking on the yellow Play button provided on the center of the page. Good Luck and Enjoy! In addition, the many listeners who would like to purchase the music played on our four Pacific Islands Radio Stations, in CD format, can obtain details of recommended suppliers by clicking on Artists' Profiles on Pacific Islands Radio Home Page: www.pacificislandsradio.com Pacific Islands Radio continues to offer a range of broadcasting formats in order to allow a wide range of listeners to enjoy our beautiful island music. These formats, in terms of Connection Speed and Sound Quality, are basically as follows: STATIONS Pacific Music Radio with a connection speed of 32 kbps is FM Stereo - FM mp3PRO; Pacific Islands Radio 33K and Micronesia Music Radio 33K with connection speeds of 24 kbps are AM Quality; and Pacific Islands Radio 28K with a connection speed of 16 kbps is AM Quality. Perhaps I should mention also that the previous practice of specifying a minimum connection speed has now been upgraded. Now, instead of specifying a bitrate, our broadcast formats are specified in terms of a combination of bitrate, sampling rate, stereo mode and codec. These changes have allowed the introduction of Pacific Music Radio (FM mp3PRO Stereo) broadcasting in high fidelity FM stereo as well as allowing an upgrade in the fidelity of Pacific Islands Radio 33K and Micronesia Music Radio 33K while still broadcasting at the same bitrate (24 kbps). Also, in the longer term, 33K will be referred to as 24 kbps and 28K will become 16 kbps - please keep an eye out for these changes. As usual, Pacific Islands Radio is always keen to promote our talented island musicians worldwide in order to satisfy the continuing demand for our beautiful and distinctive Pacific Island music! In this respect, should you know of any island artists whose talents you would like to see promoted, please contact me on: jane@pacificislandsradio.com Our four Pacific Islands Radio Stations play the enchanting music of the Pacific Islands 24 hours daily. www.pacificislandsradio.com http://www.pacificislandsradio.com/index.htm http://www.janeresture.com/radio/index.htm Pacific Music Radio (mp3PRO) http://www.live365.com/stations/drjaneresture Pacific Islands Radio 33K (24 kbps) http://www.live365.com/stations/janeresture Pacific Islands Radio 28K (16 kbps) http://www.live365.com/stations/janeres Micronesia Music Radio 33K (24 kbps) http://www.live365.com/stations/jane_resture FEATURE ARTIST THE SOLOMON ISLANDS: SOUNDS OF BAMBOO This interesting album contains Instrumental and Vocal Music of the 'Are'are People of Malaita in the Solomon Islands. It was recorded as a result of the Solomon Islands Traditional Culture Documentation Project (MABO) in 1997. This album was originally released in Japan in 1992 as part of the 80-volume CD collection, Music of the Earth: Fieldworkers' Sound Collections, of the Victor Company of Japan (JVC), The album contains 37 pieces of instrumental ensemble and of vocal music recorded in the field by Ronald Buaoka (Solomon Broadcasting Corporation) and Hisao Sekine (Nagoya University). Undertaken under the joint, multicultural auspices of the MABO project, with producers,Yuji Ichihashi and Aki Sato, and director Masaya Murakami, this CD is a product of an Asia-Pacific collaboration that contributes significantly to the existing collection of audio-visual materials on the traditional music of the Solomon Islands. The album is divided into two parts: The first part contains 'Are'are bamboo music (au), either blown (uubi) as in panpipe ensembles or struck ('ui) as in stamping tubes. Indeed, the first sixteen tracks featured on the album are devoted to the music of panpipe ensembles alone, neatly grouped according to the four "forms," from the most socially valued to the least. These are followed by the music of solo and duet of stamping tubes that are unique to the 'Are'are and the vigorous music of wooden slit-drum ensembles in "call-response" style. The second part of the album contains 'Are'are singing (nun isuisuba). A short demonstration of the novel "sound play on water" (kiroha) separates the vocal numbers from the instrumental ensembles. The music is accompanied by notes (originally in Japanese) by the same recordists Sekine and Ryuichi Tai, but now translated into English by Mark Greenberg and Tokiko Nobusawa for the Multicultural Media. This CD is an excellent descriptive documentation of the unique music of the 'Are'are People of Malaita, in the Solomon Islands. Indeed, anyone teaching, or interested in music cultures of the world, would be delighted to be one of the proud owners of this original and most interesting album! COMING EVENTS! "Coming Events" outlines some of the many events on our musical and dancing calendar throughout the year hence the inclusion in our monthly Pacific Islands Radio Newsletter (Island Music). As much valued members of our Newsletter, you are invited to share any of your thoughts and ideas about Pacific Island music that you feel should be shared with all our members. I am sure that our members would greatly appreciate your kind gesture in sharing this information with us. Thank you. PACIFIC ISLANDS OCEANIA AND PACIFIC ISLANDS CALENDAR EVENTS http://www.pacificislands.com/calendar/calendar.html POLYNESIAN CULTURAL CENTER SPECIAL EVENTS FOR 2005 Every year Polynesian Cultural Center performers, cultural experts and others appear in a series of special events and appearances at home in Laie, in Waikiki, across the United States, and internationally. http://www.polynesia.com/special_events/special_events2004.html#upcoming HAWAIIAN MUSIC CONCERT EVENTS http://www.mountainapplecompany.com/calendar.htm HAWAIIAN MUSIC http://mountainapplecompany.com/ PACIFIC HAWAIIAN DISTRIBUTION EVENTS CALENDAR http://www.pacifichawaiian.com/calendars/calendarjan05.htm MICRONESIA MUSIC ANTHOLOGY An anthology of traditional Micronesian Music is available on Micronesia Music Radio: http://www.live365.com/stations/jane_resture The anthology can be accessed by clicking on the Broadcast Schedule after logging in to Micronesia Music Radio. This should allow you (and our other listeners worldwide) to determine when the anthology is available in your beautiful part of the world. The Broadcast Schedule can also be accessed at the following URL: http://www.live365.com/broadcast/scheduler/?stationname=jane_resture The supporting Web site to the anthology is: http://www.janesoceania.com/micronesia_music_anthology/index.htm GOSPEL MUSIC Pacific Islands Radio is very pleased to be able to advise that a collection of some of the most exciting and absorbing gospel music from the Pacific Islands is now being featured on Pacific Music Radio (FM mp3PRO Stereo), Pacific Islands Radio 33K (24 kbps) as well as Pacific Islands Radio 28K (16 kbps) With an extended running time of three hours, the gospel collection has proved to be extremely popular and features the music of a number of talented artists and groups from Melanesia, Micronesia and Polynesia. Please monitor the Broadcast Schedule of the above three Pacific Islands Radio stations for the availability and time for the Gospel Music collection. At present this exciting collection is available every Sunday from 12 midday to 3 pm Australian eastern standard time. Our four Pacific Islands Radio Stations play the enchanting music of the Pacific Islands 24 hours daily. http://www.pacificislandsradio.com/index.htm SUPPLIERS The following are some of the main specialist suppliers of our music from the Pacific Islands, which are now being used and are highly recommended by Pacific Islands Radio. KING MUSIC - AUCKLAND, NEW ZEALAND Kingmusic offers a wide selection of Pacific Island music which is available on the Internet. http://www.kingmusic.co.nz/ ISLANDMELODY.COM Pacific Islands Radio would like to recommend Islandmelody.com for a selection of traditional and contemporary music with an emphasis on Micronesian music. http://www.islandmelody.com BWANARAOI MUSIC SHOP - TARAWA, REPUBLIC OF KIRIBATI For Kiribati music, along with music from other Pacific Islands and elsewhere, you are invited to contact the following exclusive distributor: Bwanaraoi Music Shop Republic of Kiribati Phone/Fax (686) 28236 E-mail: angirota@tskl.net.ki LINKS WELCOME TO THE MUSIC ARCHIVE OF THE PACIFIC The Music Archive for the Pacific has been established by the Southern Cross University, Lismore, Australia. for the main purpose of providing a collection of recordings of indigenous music, related books, journals, musical instruments and art works to interested persons for research purposes. The archive covers the music of the indigenous people of Australia (incl. Torres Strait), Papua New Guinea (incl. Bougainville), New Zealand as well as the nations of the Pacific Islands - Cook Islands, Easter Island, Fiji, Hawaii, Nauru, New Caledonia, Rarotonga, Samoa, Solomon Islands, Tahiti, Tonga, Tuvalu, and Vanuatu. http://www.scu.edu.au/schools/arts/music/musicarchive/ArchiveHome.html MUSIC ARCHIVE FOR THE PACIFIC http://www.scu.edu.au/schools/arts/music/musicarchive/ArchiveArchive.html ************************ LETTERS The following are extracts from a few interesting and most welcome letters that I have recently received about our four Pacific Islands Radio Stations, our artists and music. In this respect, it is my great pleasure to be able to share these letters with you all as I find them to be most uplifting, supportive, motivating and encouraging. They also provide much needed feedback in order to continuously monitor and enhance the quality of the service provided by Pacific Islands Radio. Please join with me in thanking these wonderful people for sharing their thoughts with us all. ************ Hello Jane, Just stumbled onto your music sites which bring back many wonderful memories. I spent the better part of a year sailing a 47 foot sailboat through central Micronesia in the late 70s.We sailed from Japan down through the northern Marianas to Saipan and Guam, then Island-hopped to Ponape. Between the wonderful island people and the myriad Vietnam era agents and spooks hiding out in the islands there were lots of adventures.When my life slows down a bit more There's at least one book in that trip alone. I found your site because for the first time in at least a dozen years I tried to search for some particular music I had heard on that trip.We were sailing down through the northern Marianas having stopped at Agrighan and then Pagan Island. I don't know anything about Pagan Island now, but at that time there were about 50 or so people on the island, a short road and I think one jeep.The nominal chief was a gentleman named Frank Kaipat. He was trying to look to the future and behind his house were tables with Dixie cups all over them. Each had a plant growing in it He was getting seeds from all over the world to see what would grow on Pagan Island. Anyway, I would walk over to his house in the evenings to drink tea and tell him about the USA. On the way to his house you could hear a radio station coming from battery radios in homes. It was often the same station playing songs sung by women, vocal only, no instruments. Might have been religious but I'm not sure. The harmony was hauntingly beautiful. Anyway, you have a great site, best wishes for you and them. Sincerely Hello Jane Resture - I came upon your website today and I got so homesick listening to the island music. It makes me long for home - it brings back memories of soft breeze, waving palm trees, the sound of the waves pounding against the reef at night when it is so peaceful. Thank you. I will be sharing about your website to others. ************ COMMENTS AND CONTRIBUTIONS Our Chat Rooms are always available for online chatting between parties and can be accessed via Jane's Oceania Home Page: http://www.janeresture.com or the URLs: http://pub18.bravenet.com/chat/show.php/1489671900 http://pub32.bravenet.com/chat/show.php/2702076781 Your valuable contributions and comments about our Pacific Islands Radio are always most welcome and greatly appreciated. These can be sent to me at: jane@pacificislandsradio.com Once again, I thank you very much for being part of our Pacific Islands Radio Newsletter (Island Music) Club! Your continual support, encouragement and most kind generosity are greatly appreciated. Let us hope for continuing greater peace and harmony, prosperity and happiness for us all, and for people everywhere! Best wishes and please take care! May our God bless us all and, as usual, I look forward to the pleasure of your company next time! Jane Resture |
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(E-mail: jane@pacificislandsradio.com -- Rev. 15th December 2007)